Austen’s novels are about a narrow, upper class of British society and are set in picturesque villages, mostly cut off from the troubles of the outside world. “Jane Austen is now on a pedestal as an expression of something delightful, comforting, beautiful, clever,” said Paula Marantz Cohen, an English professor and the dean of the honors college at Drexel University in Philadelphia. Many of her fans, she said, want to relish her stories about a simpler time and place.
Some Austen scholars say passages in her novels “Emma” and “Mansfield Park” suggested that she supported abolitionism, but others say that is unclear. Few of her letters survived. But her favorite authors — Samuel Johnson, Thomas Clarkson and William Cowper — were abolitionists. Still, like almost all English families of any means in the 18th century, her family had ties to the slave trade, according to “Jane Austen: A Life,” a book by Claire Tomalin.
In addressing the topic of slavery, Sherard Cowper Coles, the president of the Jane Austen Society, said, “This is England’s story, and as our understanding increases, we should tell it and update it.”
But Mr. Cowper Coles, a former diplomat who was Britain’s special representative to Afghanistan and Pakistan in 2009-10, cautioned: “Expecting people to have consciousness outside of their time is not fair. But equally, in our time, we are aware of slavery, we’re living with its consequences in Minneapolis and many other places.”
Frances Brook, a tour guide in England who has led groups to Austen sites, said that she was in favor of the museum presenting more context about Austen’s time, but that condemning her for wearing cotton and taking sugar in her tea would amount to “woke-ism gone a little too far.” Like the rest of us, Austen did things in her everyday life that conflicted with her broader views about the world, said Ms. Brook, who last visited the museum in 2017.
Professor Johnson of Princeton said that the museum’s attempt to add context to Austen’s life would not quell readers’ enthusiasm for her.
“Just because you involve Austen in the messiness of history doesn’t mean you don’t love her,” she said.